Sunday, 5 June 2011

Jessie J - Do It Like a Dude, music video review

Just a quick note: this IS the explicit version, as I found this would be the only way to truly review the video and address the material we discussed in class last time.


Producers of the above video,         
              If one were to hear or watch the video of “Do It Like a Dude” by Jessie J, one might automatically think that it’s objectifying women or that it’s anything but empowering. But upon truly listening to the song, you might begin to change your mind.
             First off, there’s the title of the whole song and the theme of the music video – “Do It Like a Dude”. This song both reinforces and breaks the stereotypes of the ideal man and women. As discussed in class, we concluded that many music videos portray the perfect woman as submissive and willing to do whatever a man wants. They are purely objects. However, it seems as if men should be strong and powerful, with his status directly related to the number of girls he can get.
            This song and video breaks these stereotypes in that it shows girls wearing more masculine clothes. They are still what some might call “slutty”, but they’re designed to make the dancers in the video look macho and brawny. They’re wearing and doing almost everything that we concluded were “masculine”: wearing flashy jewelry (“bling”), making intimidating faces towards the camera, crossing their arms, shooting each other menacing looks. These are women acting just like men are “supposed to”. In this way, the music video can be empowering even though it isn’t raising money for Japan or saving orphans or anything generically empowering. I found this message particularly effective considering Jessie J is a white female.
            I found that generally, the media put into the music video only helped the artist make her point – girls can do whatever boys do and just as well. One of the examples of this was that she could “grab her crotch”, which is typically regarded as a masculine action. They were also breaking out in very physical arguments, something that girls don’t typically do. While some music videos don’t tend to make much sense or send out bad messages (take Eminem’s “Love the Way You Lie” featuring Rihanna). It’s making the woman seem not only submissive, but as if she actually likes this torture. Actually, Rihanna has a lot of videos and songs with this similar message… But I’m going off on a tangent. This video shows women portrayed as men so that people realize that women can, in fact, “do it like a dude”.
            Something else I like about the video was how they featured homosexuality. I recognize that male homosexuality is far less accepted in pop culture and that’s what we should be focusing on right now, but I love how they used this in “Do It Like a Dude”. I may sound completely bizarre when saying this, but I’m going to reference what we’ve been learning in social studies this year and five-paragraph essays – this short clip featuring two women backed up their thesis that they can act like men if they want to and shouldn’t be thought of as pathetic or weak.
            Conversely, the music video could also be regarded as only backing up this stereotype. If one says that they’re “doing it like a dude”, then this must be how guys are supposed to act, right? I suppose it may take some thought to come up with this notion, but why do we have to label things like a “dude” or like a girl? Even by fighting these stereotypes, they still manage to strengthen them anyways. So if you're saying that you're doing it like a man, then that's obviously how a man should act, right? However, for the purposes of selling a song, I completely understand and Jessie J was making a point. I didn’t have any sort of problem with the backing up the stereotype idea of the video. I found that she was disproving the stereotype rather than justifying it.
            Overall, I thought this music video was both effective, and not offensive in any way (well, other than the explicit language used during various parts throughout the song). Bravo, Jessie J and crew!
           

Tuesday, 12 April 2011

Sigh No More (album) - Mumford & Sons

So, what's the best album of all time? Without question, it's "Sigh No More", the debut album by indie, London-based band, Mumford & Sons.
The band is composed of four extremely talented musicians - Marcus Mumford, Country Winston, Ted Dwane and Ben Lovett. As said on their website (www.mumfordandsons.com), the band bonded over a passion for "making music that matters without taking themselves too seriously". And they have definitely succeeded. The band formed in December of 2007, emerging from the West London folk scene. Artists who the band is supported by (and also supports) is Laura Marling as well as Noah and the Whale. After playing at a few venues in London, they were signed, and their first album, "Sigh No More", was released in August of 2009.
Mumford & Sons has a very distinct sound to their music, as well as a look. They will most often be seen wearing old-looking, English countryside type clothing - very classy in worn suits and collared shirts. It's quite old-fashioned, but I can say that I find this makes the band even more likeable. Next is their sound. If you've heard Mumford before, you'll know their trademark instrument: the banjo. In "Roll Away Your Stone", you can hear a more lively banjo - much like one would expect to hear in bluegrass or extremely "country" music. Meanwhile, the banjo is much, for lack of a better term, darker in "Little Lion Man". Anyhow, back to the point. Mumford & Son's sound is a combination of country and bluegrass with a dash of rock thrown into the mix. Various instruments used throughout their songs are: banjo (of course!), accordion, guitar, mandolin, and more. Each of the members are very versatile in the instruments they play.
Regarding the album cover, I think that the art is very fitting for a debut album. Because this was the first time the band was putting themselves out on the market, the album had to give a good first impression. I think that though it may not deliver a specific message, it is eye-catching, unique, and epitomizes the band.
Now - time for lyrics.
"It's empty in the valley of your heart,
The sun it rises slowly as you walk
Away from all the fears and all the faults you've left behind."
...
"But I will hold on hope
And I won't let you choke
On the noose around your neck
And I'll find strength in pain
And I will change my ways
I'll know my name as it's called again"
...
"So come out of your cave walking on your hands
And see the world hanging upside down
You can understand dependence when you know the maker's hand"

So, that's just a snippet of some of the lyrics that I find stand out most in The Cave, which was the first song I had ever heard by Mumford & Sons and what got me interested in the first place. These lyrics are very powerful, and also very abstract. While many songs have hidden meanings that one can find almost instantly (I guess not-so-hidden meanings), Mumford & Sons' lyrics could many any variety of things. In analyzing the first verse, I think that this song might have something to do with new beginnings - starting anew, maybe after doing something you regret. It's not very clear. The reason I think it might be about forgiveness (either in yourself, or of someone else) is because of the final verse. If you listen to the style of the music, you can hear a very intense chorus, and then it calms down and it definitely sounds like the person is being reborn, in a way. Also, in the lyrics I didn't copy down, it says "So make your siren's call and sing all you want. I will not hear what you have to say. 'Cause I need freedom now, and I need to know how to live my life as was meant to be". So perhaps they were influenced by someone and suddenly realized it wasn't a good thing. It's very complex.



"Roll away your stone I'll roll away mine,
Together we can see what we will find
Don't leave me alone at this time
For I'm afraid of what I will discover inside."
...
"Darkness is a harsh term, don't you think
And yet it dominates the things I seek."
...
"Stars, hide your fires
These here are my desires
And I won't leave them up to you this time around
And so I'll be found
With my stake stuck here in this ground
Marking the territory of this beauty and passion."

There are two reasons why I chose to analyze Roll Away Your Stone: firstly, because it features a large amount of the classic Mumford banjo, and more importantly, because it fits in with the theme of the first song. Honestly, the song seems like a medley of three different songs, each of the lyrics posted above representing a different part. Though I could lie about what the first two verses above mean, I'm going to say that I don't have even the slightest idea of what they're talking about. Again, the lyrics are very abstract. I guess at first, it seems like he wants to be with this person, but then if we look at the last bit, it seems like he's finally becoming independent. He says that these are his desires, and he's going to do whatever he wishes with them. He doesn't want to be controlled any more.
Mumford & Sons hasn't yet come out with any other albums, but they have come out with some songs that aren't on any album - namely "Liar" and an untitled Grammy song. Liar could probably also fit in with the album "Sigh No More", so a lot of their music sounds the same. But I find this is a good thing - because I love their music. The untitled Grammy song is one of my least favorite songs they've come out with, but my personal favorites are always changing. Tomorrow, I might think it's the best song they've ever written.
Lastly, there is my personal reaction to the album. I think we can all see here that I. Love. Mumford & Sons. The album is absolutely fantastic - very cohesive, the songs flow well, and you can see the emotion present. These songs weren't just written for the sake of writing songs. The deep, husky vocals of Marcus Mumford perfectly complements their country tone - there couldn't be a better singer in this band. Also, it's always impressive when artists write their own music. The band is very unique in their sound and style. Bravo Mumford & Sons!

Thursday, 10 March 2011

Loser - Beck



Honestly, the best part of this song is the lyrics. They make absolutely no sense. At all. This can be seen in the line "spray paint the vegetables". Why spray paint the vegetables? Don't ask me. Oh, and another personal favorite: "meatloaf pantyhose". Listen closely if you want to find these lyrics.
There isn't any other particular reason why I like the song. I mean, the vocals are only so-so, and the instrumental parts aren't anything really special, but still, I really do love to listen to it. Somehow, it all comes together to make a good song.

Wonderwall by Oasis



I'm sure you all know Wonderwall by Oasis (if not, you should), but I still had to put it on here. Firstly, I can say it is a good song because it has a really great guitar part. And what I think might be a violin (or cello I guess... I'm not very aware when it comes to musical instruments) part. I'm a fan of really any orchestral part in a song.
Also, though the singer isn't all that talented, his voice suits the music and the mood. So even though he can't sing exceptionally well, I like how his voice complements the song. It's a little difficult to explain...

Roll Away Your Stone by Mumford and Sons




This is probably one of my all-time favorite Mumford & Sons (and I apologize in advance for reviewing to many songs by then. I'm an avid fan).
Most of the songs in the album, "Sigh No More" include some banjo - their trademark instrument of choice - but "Roll Away Your Stone" features the banjo more prominently than most of the other, which is one of the best characteristics of the song. Many seem to disagree with me, however...
This isn't related to the musical side of the song, however, this song features what I find very powerful lyrics. Not like "Oh, let's save the world and fight bullying" or anything, but I can really feel the emotion in the lyrics and also the great vocals of Marcus Mumford.
Also, Mumford & Sons songs are like mash-ups - there are so many different parts of the song that it feels like they just put two or three songs together. Now, is this a good thing? Yes - I love it.